KLUCEVSEK, GUY - Flying Vegetables of the Apocalypse

1991 release. "Guy Klucevsek is teaching the accordion to whoop and wheeze in strange new ways. Once condemned to drunken requests for "Who Stole the Kishka" and "The Happy Wanderer," this virtuoso now plays deconstructed, reconstructed art songs and dance tunes, translated into a metalanguage of his own making. His is a musical Esperanto fashioned from hocketed melodies, giddy with arabesques; Henry Cowell-style tone clusters; the eerie difference tones of "acoustic phenomena" composer Pauline Oliveros; the hypnotic phasing and locomotive ostinatos of early minimalism; low-register drones punctuated by high-register yips, in a manner reminiscent of Scottish bagpipe and Bulgarian accordion music; dark, György Ligeti-ish sound clouds, lit from within by lightning-like melodic flickerings; the metric modulations of Elliot Carter; a Morton Feldmanesque sense of grand gestures, and of microscopic movements; an appropriation aesthetic shared with John Zorn and other New York avant-gardists; and a rollicking, roisterous energy borrowed from dance forms and folk music the world over. In Flying Vegetables of the Apocalypse, Klucevsek gives us a postmodern conundrum: dance music informed by avant-garde styles designed to be listened to in a straight-backed chair, wearing starched duds and too-tight shoes; art music enlivened by dance musics best appreciated while slipping and sliding over sweat-slick floors. It is, refreshingly, a holistic postmodernism rather than an explosion in the Toontown sound-effects department. The identities of the Slavic, South American, and American idioms from which the composer draws inspiration are preserved, while the twentieth century classicism that is his anchor remains unshakable. Ensemble pieces for strings, percussion, guitars, and woodwinds on Flying Vegetables of the Apocalypse feature Bobby Previte, Tom Cora, David Hofstra, John King, Laura Seaton, and more." - XI Records.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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