Sub Rosa

KNIZAK, MILAN - Broken Music

2019 repress. "Milan Knízák's 1979 masterpiece reissued on vinyl for the first time; presented in a gatefold with the original design. Milan Knízák (born April 19, 1940) is a Czech performance artist, sculptor, musician, installation artist, dissident, graphic artist, art theorist, and pedagogue of art. Before everyone else -- Christian Marclay, Philip Jeck, eRikm, Martin Tétreault, Yoshihide Otomo -- there was Milan Knízák. In 1964, Knízák, a member of Fluxus from behind the Iron Curtain, sat down on a sidewalk near the Charles Bridge in Prague, laid down a paper carpet right into the street, and starts tearing pages out of books and burning them. Around the same time, he began to create music from defective, worn, damaged, or broken LPs. These Broken Music compositions, his classic collages of noises created during performances and happenings, are widely regarded as important sound art documents. Knízák recalls, "In 1963-64 I used to play records both too slowly and too fast and thus changed the quality of the music, thereby creating new compositions. In 1965 I started to destroy records: scratch them, punch holes in them, break them. By playing them over and over again (which destroyed the needle and often the record player too) an entirely new music was created -- unexpected, nerve-racking, aggressive and even humorous. Compositions lasting one second or almost infinitely long (as when the needle got stuck in a deep groove and played the same phrase over and over). I developed this system further. I began sticking tape on top of records, painting over them, burning them, cutting them up and gluing different parts of records back together, etc. to achieve the widest possible variety of sounds." - Sub Rosa.
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  • Regular price $18.00


After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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