KREMLYN - Rutinas

"Santi Carrillo wrote about them in an RLD by himself from 1983: _¢‚Ǩ_ìKremlyn, a techno-pop duet which is not, obviously, the solution to urban boredom problems, is launched in Barcelona as something brilliant and unusual, astonishing for all they achieve despite having little means, but making the most of their limited resources. J.J., an 18-year-old boy with a keyboard and an organ, from which he plays the drum machine, as well as other effects, for which he is the only responsible because of his autodidactic investigation_¢‚Ǩ¬¶_¢‚Ǩ¬ù Juan Cervera wrote about Kremlyn in the Revista de Badalona (Badalona Magazine) on December 7th 1984: _¢‚Ǩ_ìAmongst all his songs, _¢‚Ǩ_ìRutinas_¢‚Ǩ¬ù stands out; it_¢‚Ǩ‚Ѣs an excellent composition which, with no doubt, will reach the first position of Hits Parades if someone decides to edit and promote it. In Yazoo_¢‚Ǩ‚Ѣs techno-pop style, however, Kremlyn_¢‚Ǩ‚Ѣs future is not very clear, due to a slight passiveness showed by its components, which refrains their music from being as well-known as it deserves_¢‚Ǩ¬ù.\r\n\r\nThis record is the only existing document which collects an almost whole concert by Kremlyn in their first stage as a duet, in their own essence, that is to say, with no musicians added. It took place in a little disco called _¢‚Ǩ_ìPanagal_¢‚Ǩ¬ù, on January the 6th 1984, and it was the fifth concert of the group since its creation in 1983. That was Kremlyn in itself. \r\n\r\nPresented in a hand-made silk-screen printed cover sleeve. It includes a leaflet.\r\nLimited edition of 320 numbered copies only." - Domestica\r\n

  • Sale
  • Regular price $22.00

After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms



Sold Out