LOWENBRUCK & MARCELLVS L., DANIEL - Stallgewitter

Ideal

LOWENBRUCK & MARCELLVS L., DANIEL - Stallgewitter

2014 release. "Composed of staged and natural field-recordings captured in Thailand, Iceland, Brazil and the UK. Mastered and cut by Andreas Lupo Lubich at Calyx, Berlin. Marcellvs L. was born in 1980 in Belo Horizonte, Brazil and currently lives between Berlin and Sey_ɬ_isfj_ɬ_r_ɬ_ur, Iceland. Working in both video and sound, he has exhibited internationally since the mid 00. He participated in numerous solo, group exhibitions and Biennials such as the 16th Biennale of Sydney (2008), 9th Biennale of Lyon (2007) and 27th Biennale of S_ɬ£o Paulo (2006). He exhibited at MAC - Mus_ɬ©e dart contemporain de Lyon (2014), Helsinki Art Museum (2013), Astrup Fearnley Museet (2013), ICA - Institute of Contemporary Arts London (2012), NBK - Neuer Berliner Kunstverein (2011), Kunsthalle Wien (2010), New Museum in New York (2010). Including some of the prices he has received are the Ars Viva Price 07/08 Sound and the main prize of 51st International Short Film Festival Oberhausen in 2005. Daniel L_ɬ_wenbr_ɬºck (b.1974) is a German performance artist, composer of tape-music and (sometimes) visual-artist living in Berlin. He is releasing music and performing internationally since the 90s as part of the Schimpfluch-Gruppe (with Rudolf Eb.er, Dave Phillips, Joke Lanz), as a duo with singer and performance artist Doreen Kutzke, as part of the Cabaret Performance-Group Ohne (with Tom Smith, Dave Phillips, Reto M_ɬ§der), and solo as Raionbashi and under his real name, including performances and festival appearances in New York, Paris, Moscow, Minsk, London, Oslo, Stockholm, Helsinki, Tokyo, Vienna etc. He has collaborated with Mattin, Column One, and lately with Leif Elggren and Marcellvs L. He founded the label Tochnit Aleph in 1994 publishing records and editions of Musique Concrete, Sound Poetry, Artist-Records & -Multiples and Noise Music. Since 2008 Lowenbruck curates the Gallery & Record-Shop Rumpsti Pumsti (Musik) in Berlin. Edition of 300 copies". - Ideal.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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