M.B. - Persecutionem (Purple Vinyl)

"I've taken inspiration for this medicative work from the sordid persecution of the early Christians, but in other ways we receive objectivistic persecution every day from this standardized system, from our wretched condition and from the modern persecutors which are hidden behind their threatening countenances. The appropriate soundtrack of such perturbed sufferings is this justifiable work, Persecutionem, in which the semblances of our gaolers are inherents on these obstructed sounds, and the hopeful liberation of our existences are culminating on the eschatologic modulations. The deliberate epilogue is contained in the derogatory elevation of our reinstated spirituality for a repulsive capital sentence in order to transform the alienated persecutor into an inalienable victim of persecution" --Maurizio Bianchi, February 2009.

"Maurizio Bianchi/M .B.: scourged martyrized pre-recorded sounds and tortured waves, with the persecutory interferations by Siegmar Fricke. Maurizio Bianchi is a non-musician active since August 1979. Coming from the punk movement in the mid-'70s, M.B. became soon a pioneer in noise and industrial music. His music was characterized by uncompromising, noisy musique concrète abstractions, produced by turntable, loops, and tape-recorder. The sound he created at that time was the result of permanent frustration in life, love, religion, and politics, reflecting his inner soul and expressed his condition of being lost in a web of sounds and nightmares. After 14 years of mental purification the second M.B. phase began, characterized by a very spiritual approach. Siegmar Fricke, qualifying Bianchi's second-phase works as "Pharmakustik," shares the same fascination for clinical sound abstractions and electronic modulations as M.B., and has done several collaborations with him. Bianchi has worked with various other artists including Aube, Telepherique, Nimh, and Stefano Gentile. Maurizio Bianchi's main inspiration remains human alienation, and his goal is to awaken sleeping consciences." - Rotorelief

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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