Bruit Direct

MAMITORI ULITHI EMPRESS YONAGUNI SAN - 25/12/2013

In keeping with the freer releases in their catalog (Sky Needle, La Ligne Claire, Minitel), Bruit Direct Disques presents 25/12/2013, a live album by Japanese group _ß_ì___߬æ___©¬_¬•Ulithi Empress Yonaguni San, often referred to by their nickname, Mamitori. Savagely DIY and autonomous, Mamitori have released only a handful of copies of a privately pressed record, while lead guitarist Aritomo has put out an abundance of self-produced acid-folk records, hand-assembling sleeves for every copy. David Keenan compared the bands 2012 album _§¬_‚Ǩ_§¬__í_§¬_‚Ä_ Fairy Tail Chimidoro Phenomenon Satan Inferno Dress Ha Cattlemurarete Yggdrasill _£_í¬èWa Sasaru to Isnt Anything being creepy-crawled by Idiot OClock or the early Rough Trade singles as curated by Jutok Kaneko and Reiko Kudo." The six tracks offered here (drawn from that 2012 album) were recorded in public and are reproduced accurately, with silences and tuning included at the express request of the band. Guitars are skinned alive, twisted in counterpoint, or played with a cheesegrater; the frail vocal is as exhausted as it is sweet; the trumpet plays its dying breath; the bouncy rhythm section offers a skeleton of rigor; psych-rock is reduced here to fluff, with only a scraggy trunk of the spinal column remaining. Mamitori follows the traces of the ancestral giants of 70s avant-rock (Hendrix, Velvets, Captain Beefheart, Henry Cow, Can, The Red Krayola), except its an odd post-punk mess that spits from their amps. Accident is king with Mamitori, and their psychotic free rock, loaded with open-tuned guitars, sometimes feels like shreds of sound; limping and out of phase, played obliquely, their music is at once absolutely diaphanous and indecipherable. Nothing is ever in place and everything cracks up and frays; its an atonal construction that threatens to become melodious at any minute. Ultimately, Mamitori hides a form of twee pop unwittingly battered by no wave, every chord of which could be a blank bullet. One might mistake the sound for My Bloody Valentine violently colliding with The Shaggs, The Pastels attacked by Mars, or Pere Ubu holding paws with Swell Maps. Is a "No Tokyo" emerging decades after No New York? This live set, in front of a ghost-like public, serves as a hint of this Japanese bands profound peculiarity, joyfully perplexing everyone even further by citing alternative j-rock supertars LArc-en-Ciel as an influence. Mamitori will have you humming songs you hadnt noticed were there." - Bruit Direct Disques.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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