-¢‚Ǩ-ìVitrine is thrilled to welcome Brisbane-based installation and sound artist Ross Manning to its roster. Laminal, scrapping and what could be the cry of a child. Home-made instruments and location-hewn ambience develop a nuanced sculptural sound. Psychic whimsy and the sensuality of the object exonerate household ticking and churning. The everyday as ecstatic as it always has been. Natural Causes follows a recent banner run of releases by Manning, including 2015s Interlacing LP, the Delicate Shades of Hell cs on sterling tape imprint Greedy Ventilator and LED, an outstanding 10-¢‚Ǩ¬ù of new works self-released by the artist earlier this year. Chimes cut to dour electronic warble. A standard bearer of contrast and sonorous multitude. Clang, clatter and debris swarm in plumes of activity. Adam Bohmans object improv or Joe Jones solar music are signposts along the way to a unique hemisphere of absurd inevitability. Bells vibrate above whipping crescents of machinery. Persistent creaking stumbles in a textured cluster. Irregular romance. Excerpts from Le Couperet, arriving thirty years too late. Natural Causes is the latest entry in what is fast becoming one of the most singular bodies of work in contemporary sound. Sold out at source.-¢‚Ǩ¬ù - Vitrine.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.