Silent Street

MAXIMUM JOY - I Cant Stand It Here On Quiet Nights: Singles 1981-82

Silent Street is the new collaborative label from Chris Farrell (Idle Hands) and Kiran Sande (Blackest Ever Black). For their first release, they present a compilation of singles by one of their shared musical lodestars: Bristols extraordinary Maximum Joy. Formed in 1980, by 18 year-old vocalist Janine Rainforth alongside Tony Wrafter, a trumpeter/saxophonist previously affiliated with Glaxo Babies. Wrafters former accomplices, Charlie Llewellin (drums) and Dan Catsis (bass), completed the original line-up, alongside erstwhile Pop Group guitarist John Waddington. With a youthful confidence and energy that leaps out at you even now, they took their diverse influences -- punk, modern jazz, disco, dub, funk, soul, Afro-beat, and chansons -- and distilled them into some of the greatest, most intoxicating pop music ever made. Together they carved out a story which today stands as a sumptuous feast for anyone interested in the roots and evolution of the Bristol sound". There are links, back and forth, with The Slits and Dennis Bovell, On-U Sound through to the Wild Bunch, Massive Attack, Smith & Mighty, and Trickys "Aftermath". Thirty-five years on, its impossible not to be blown away by their combination of instrumental virtuosity and DIY pluck, and by their fearless application of disorientating dub FX. In terms of open-minded, progressive, and life-affirming music made in the post-punk era, little else comes close. This first ever official reissue of Maximum Joy material is centered around the trio of singles the band released on Y Records in 1981-1982. Their first, "Stretch", became an anthem on the New York club underground, a cult staple at Danceteria and on late-night radio. This compilation gives pride of place to their first B side, "Silent Street/Silent Dub": a languid tribute to long summer nights in St Pauls. Llewellins mesmerizing one-drop kit and Catsiss outrageously heavy bassline anchor the track, allowing Rainforths exquisite vocal and Wrafters trumpet to soar within the expressionistic dub mix. In both subject matter and execution, it is the definitive Bristol tune. "White And Green Place (Extraterrestrial Mix)", "In The Air", and wistful instrumental "Simmer Til Done" also feature; the non-Y bonus is the 12" version of "Do It Today", Maximum Joys contribution to the Fontana compilation Touchdown (1982). Sleeve notes by Janine Rainforth, Tony Wrafter, and Kevin Pearce." - Silent Street.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.



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