Longtime friends who had hoped to play together for some time, Fullman and Meehan were surprised by the initial efforts of their collaboration. Their instruments -- or rather the sounds of their instruments meeting in the acoustic space -- strongly influenced one another: combination tones, sympathetic resonances, beating, and even cancellation of each others sound. Mapping routes through this unusual territory would become the piece presented here in three parts. The recording was made Easter (R.C.) weekend 2006. It is an acoustic work, recorded in stereo, without overdubbing or effects. Ellen Fullmans long string instrument is a unique instrument of her own invention. Waist high, parallel wires, strung in two sets span 14 meters. Fullman produces rich, microtonal drones by pacing up and down the wires and applying friction with her fingertips. Each of her ten fingers precisely finds the appropriate string and the sound emanates from wooden box resonators bolted into the wall. At her studio where this CD was recorded, the strings run through the patio door and terminate in the backyard: the extra\r\nlength affords me an additional lower octave," Fullman explains. For the last ten years or so, Sean Meehan has been focusing on playing the snare drum with cymbals. On this recording he produces long, continuous tones from them using a dowel and friction." - Cut.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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