Unlike many self-created obscurities rescued from the margins, Michael Angelo (aka The Guinn Album) isnt the effort of some fanatical, ponderous bedroom wiz delivered with passion in lo-fi, but a fully-fledged pro-studio recording executed by multi-instrumentalist and full-time session man in mid-to-late 70s Kansas City, MO, Michael Angelo Nigro. An enigmatical exemplar of subterranean overachievers, Michael created the album as a labor of economy during studio off-hours when he was given free reign, and since its discovery by fringe-searchers it has been christened a heavy-hitter in the pantheon of “out-of-time” treasures. Self-produced and nearly fully self-created (with drums handled by Frank Gautieri), Michael Angelo is a staggering, hook-filled, inner space hi-fi snapshot of dreamy folk-rock, Anglophile-pop and light psychedelia, filled with contemplative, arresting lyrical imagery and carries little to ally it to its time (spare some shimmering keyboards). Sprouting in the mid-50s, Michaels head was first turned by Joe Meek-produced “Telstar” by the Tornados in 1962, and later listened closely when the Beatles put the whole world on its ear. Gifted his first guitar by a doting aunt at age 11, soon the prodigy gained six-string proficiency, began his first furtive attempts at songwriting, and taught himself to play bass, harmonica, and piano over the next few years. The typically teenage pursuit of fronting his own high school band followed, Norwegian Wood, and several other short-lived combos followed. Next, via an ad in a Kansas City newspaper, he happened upon the opportunity of studio work at age 20. During the next few years at Liberty Recording—where Michael Angelo was recorded in 1976—and Big-K (where it was mixed in 1977) he worked steadily, and the eponymously titled debut LP was released on the Big-K subsidiary Guinn Records in 1977.

With its strummy, jangly folk-rock guitar, incendiary lead lines, big, resonant piano chords and plaintive tinkling, Michael Angelo isnt just a collection of songs, but a fully-conceived, cohesive, album-length statement, which stands toe-to-toe with other “out-of-time” heroes like Anonymous, Rick Saucedo and Bobb Trimble. Theres denseness to Michaels lyrics formed by an active imagination, tapping into abstracts, the unseen, astral and spiritual ideas, fantastical and sci-fi perspectives, character studies, and the other side of life. Michael Angelo is a very poetically palpable, ethereal, mellifluous set of creations, tapping into forever, timeless life concerns — all delivered with his fragile, sweet Beatle-esque vocal presence, which lay at the center of even the more propulsive efforts. Michael touches upon inspiration from dreams in “Oceans of Fantasy,” set to a psych guitar-tinged West Coast folk-rocker, the teach-the-children-well ruminations of “World to Be,” tortured, closed-off souls (“Lost in the Pain”), barbarism, disconnect, perhaps even suicide (“Checkout”), stunning near protest-song (“Bon Jour Mr. VIP”), and he caps things off beatifically with the high-flying psych moves and fluid instrumental breakdowns of “Future.”

The recently departed historian and Acid Archives editor Patrick Lundborg rated Michael Angelo in his Top 10 favorite private-issue releases, and original copies of this obscurity have long traded for close to four figures. The more affordable versions previously available have been shoddy bootlegs with poor sound. While the original master tapes vanished decades ago, this edition has been treated to a new re-master from a sealed original mint copy — and with Michaels full involvement and blessing — rendering it as near the sound of the original LP as possible. No longer with the need to pay near four-figures for the full experience, we can now all drift within a sea of dreams with Michael Angelo. - Anthology.
  • Sale
  • Regular price $19.00

After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms



Sold Out