In 1997, electronic sound installation artist Christof Migone enlisted the bodily aid of a group of Canadians through classified ads and over the radio for a cracking session and interview at Ottawas Gallery 101. A what, you ask? Part ambient sound investigation and part wacked out art science project, Crackers is a 7 track collection of unadulterated recordings and clever digital remixes of the sounds of cracking knuckles, knees, wrists, jaws, toes, ankles, backs, necks, elbows, and hips. The percolating, popping polyrhythms are at once amusingly bubbly and oddly trance inducing. Cheaper than a trip to the chiropractor and far more entertaining. Crackers was first presented as an installation in a group show curated by Emmanuel Madan entitled Incredibly Soft Sounds at Gallery 101, in January 1998 (originally documented in an exhibition catalog and limited cd-r). Documentation of Crackers was also featured in Site Of Sound: Of Architecture And The Ear, a book with CD edited by Brandon LaBelle and Steve Roden (Los Angeles: Errant Bodies Press, 1999) and presented the following year as a solo installation curated by Michael J. Schumacher and Ursula Scherrer at Studio 5 Beekman in New York City, January 2000. - Locust

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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