Early 90s recordings influenced by EINSTURZENDE NEUBAUTEN and ORBITAL! Restocked signed copies.Minimal Technology started in the early 90s in Santiago, Chile when three students ventured into designing sound pieces. After several months of studio recording, ("The original Minimal Technology self-titled cassette had 5 audio tracks produced with a sampler archaic, an electric bass, a disposable drum machine, voice and different intervened tapes.") a Japanese curator and music publisher Kino Mitsouko took interest in the group. The band took a trip to Tokyo which was later viewed as an artistic experience for the group; MT made a special container-object, similar to mail art, in order to show its work. The band had only two appearances on stage, one in the room Augustine Siré School of Arts University of Chile and one in the Faculty of Architecture in the same University. They were also interviewed on a live program at the disappeared Radio Umbral, and invited to publish an article of their work in the fanzine Marginal Music. MT music has been classified as experimental, electro-acoustic, techno and neo-brutalist. "Power On", the best known track of the band, characterized them as a pioneer in sound and composition of electronic music in Chile." - Hueso.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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