The Tapeworm

MOHNE, ACHIM - And It Could Have Been Dead...

Achim Mohné experiments with the space and time intervals of media, photography, video, digital image production, as well as with sound. His experiments bring to light the surprising uses that lie dormant in todays technology. For The Tapeworm, Achim focused on audiotape itself: as material, as body, as signifier and as sculpture. Some notes on the sources and methods used to create And It Could Have Been Dead... follow: A1., How To Use This Cassette" is mixed from a 1982 Blaupunkt instruction tape for a cassette player. A2., "Widerverwendung" uses material from "MediaRecycling," a live performance at Gesellschaft für aktuelle Kunst (GAK) Bremen, 1999. This was a performance for opened-up VCRs, monitors, scissors, glue, medical gloves, cleansing alcohol. Sections of tapes were randomly chosen, cut with a scissors, then taped back live together in a different order. The version on this cassette was mixed in 2011. A3., "All I Have Ever Listened To" was mixed from "Sozialisationsmusik" -- a live performance at Academy of Media Arts, Cologne (1997) for three to eight turntables, cassette recorders and a mixer. With their help, vinyl records and cassettes from a great variety of genres (classic, electro, punk, rock, jazz, childrens audio dramas) are layered-up and mixed live. The version on The Tapeworms tape was edited in 2011. A4. and B1. were created using hand-operated cassette recorders. The tapes used for "Once Upon A Time They All Lived Happily Ever After" were all of fairy-tales. B2. ("Syntactical Swap") is a work for cassette recorder and turntable. Finally, B3. is a short blast, using beginnings and endings of The Tapeworm cassettes, #01-#34 as its sound source." -Tapeworm

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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