Twenty One Eighty Two Recording Company

MONYPENY, DEREK - The Hand As Dealt

"How many records are truly prescient? How many are after living through 2020? Even though Derek Monypeny's The Hand As Dealt was recorded before arriving at such a chaotic point, the album is of this time. The tracks are a song cycle of creative tension that crescendos with "The Tamarisk," but never allows for the chaos to overtake the compositions. Conceived deep in the Mojave Desert, these masterfully executed solo guitar and shahi baaja recordings cover a wide sonic and emotional gamut, passing through pastoral psychedelia, severe shred-freak outs, hazy Egyptian string sections, and Riley-esque pulsing hypnosis. It is a sprawling, immersive homage to the spiritual music of the elders -- Don Cherry, Alice Coltrane, Umm Kulthum (and her orchestra), and Terry Riley. The fifth release from Twenty One Eighty Two Recording Company, The Hand As Dealt is the first solo record for Monypeny in seven years. His involvement with 2182 extends another concentric circle out from the label's Mount Meru series, which was developed by Alan Bishop, David Oliphant, Joel Robinson and Monypeny's bandmate Richard Bishop. Derek Monypeny is a Joshua Tree, California-based guitarist/multi-instrumentalist who has played in the bands ALTO!, Oaxacan, and Sir Richard Bishop's Freak Of Araby Ensemble. Don't Bring Me Down, Bruce, his album of solo oud recordings released in 2011, received international acclaim. He has performed and toured with artists such as Bill Orcutt, Jozef van Wissem, Eva Agulia, Arrington de Dionyso, and many others. "Derek, using tastefully deployed effects and small and patient gestures, digs deep into those thin places where all kinds of inner space visions can flourish." --Larry Dolman, Blastitude "Monypeny... makes a stake for a conception of the parameters of variously translated formal/cultural/biological folk modes as the keys to the goddamn kingdom that is every bit as persuasive as Sun City Girls at their most alien." --David Keenan, Volcanic Tongue" - Twenty One Eighty Two Recording Company.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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