Ideologic Organ

MOSLANG, NORBERT - indoor_outdoor

"The deep electric rainforest sound atmospheres that the listener will hear on this record was the tip of the iceberg of a rich and elaborate work process. For over 30 years, Norbert M_ɬ_slang has made installations, sound performances,and music records that are deeply involved in the hidden world of vibrations to convert them into loud sounds and thick textures. Living simultaneously in spheres of inside/outside, micro-vibrations, spatial structures, underground music venues, art galleries, underwater, glass windows, body movement, precise equalizers, insects, microcosms, and electronic devices, M_ɬ_slang constructs fascinating, untrammeled worlds of both philosophical and physical power." -Ideologic Organ.\r\n"I attempted a Voice Crack gig when I was 21 at an experimental noise festival in Fribourg ... M_ɬ_slang and Voice Crack opened to me both the ways to experimental noise music as well as sound art performance. When looking through the rear-view mirror, its clear that in the late 70s/early 80s, there werent many artists working with harsh noise -- a list of the classics includes The New Blockaders, Whitehouse and Throbbing Gristle in the UK; Hijokaidan, Merzbow, Incapacitants in Japan; NON, The Haters in the States, among only a few others. Since the break up of Voice Crack in 2002, Norbert M_ɬ_slang enlarged his practice to cover all noise and experimental practices, from lo-fi Everyday-Cracked-Electronics, saturation/overdrive work, performance and improvisation, field recordings and multi layered ambient noise composition. Through interconnecting, heterogeneous everyday objects; linking the outside sound environment into a quiet art museum by fixing microphones to its windows; filming the underwater Venice canal in order to set off neverending imagery flux, allowing a movie to play its own soundtrack by triggering photo-sensors, M_ɬ_slang proves to our entire nervous system that the world we inhabit is no more than infinite continuum. To talk about indoor_outdoor specifically, again, M_ɬ_slangs music drives us from nothing to everything. A field recording in a Swiss harbor is then processed and composed in a studio. The second track hot_cold_shield is a collaborative duo with Toshimaru Nakamura, an influential member of the Onkyokei scene in Japan -- a brutal live improvisation recorded at Manif dart in Qu_ɬ©bec." -Balthazar Lovay, Deborence, September 2012; Vinyl cut by Rashad Becker at Dubplates & Mastering, Berlin, October 2012.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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