MUSLIMGAUZE - Un-used Re-mix's 1994-1995

""We do not work on a release, a piece is done at a time. A CD is drawn from various tracks which can span a few days, weeks or a month, or a day, each release is different." --Bryn Jones, Grinding Into Emptiness interview, 1998 Not only has Muslimgauze's work survived the death of Bryn Jones, so have his working methods; with so much worthwhile material still in the vaults and much of it having little in the way of information or context left by the artist upon his untimely passing, recent reissues and new releases have seen Staalplaat going largely by the way the working tapes were originally organized. Here we have an excellent example of the perils and rewards of that approach; eight mixes, just over an hour, of some of the dubbiest, most spacious material Jones ever put to tape. The tracks collected on Un-used Re-Mix's 1994-1995, the newest release in Staalplaat's Muslimgauze archive series, are too good to leave collecting dust, but Jones never got around to organizing or even titling them (except, perhaps, inside of his own head). The truly diligent might be able to track down the source for some of these tracks after hours poring over the rest of Muslimgauze's vast discography, but no such trainspotting is needed to appreciate the smeared, haunting vocal and hand percussion of the third track, or the ominously rattling, echoing sixth track, or the heavy organ overlay that brings the last track as close to shoegaze as Muslimgauze ever came. So much of Jones' work evokes the sounds and atmospheres of the Middle East, India, and other points further south than his own Manchester environs; the remixes here bring a bit of that northern chill into the veins of these productions, resulting in an album that sometimes feels like Muslimgauze venturing into outer space. Without the political context that Jones no doubt intended for these tracks, we're left only with the actual sound, a sound that continues to retain its power and striking individuality. Muslimgauze archive series volume 28. Limited edition of 500." - Staalplaat .

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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