"Nanook of the North tells the daily life of the Eskimo family living in Hudson Bay. Fights for life, constant shifts, fishing, seal hunting... The spectator shares the life of the family of the far north. "The magic of the film lies in the fact that they are themselves and that they are not comedy. They are." says Robert Flaherty. Christine Ott's sober compositions combined with unusual timbres by Torsten Böttcher marry these images together and bear witness to a great simplicity and humanity. This live soundtrack creation was first commissioned to Ott in 2013 by La Rochelle International Film Festival. Ott is internationally known for her Ondes Martenot playing; but this time we do not discover Ott playing Martenot, as in the recent soundtrack she did with Snowdrops to the movie Manta Ray (GZH 087CD). In agreement with Flaherty's film, she decided to work with acoustic instrumentation, of skin, of hammers, of breaths. She's playing piano, percussions, gong, and decided to invite Torsten Böttcher to add hang, kalimba, and didgeridoo. Ott met Böttcher in 2011. She was impressed by his hang drum playing. Torsten has collaborated with renowned world music players, jazz formations, and orchestras. They first collaborated for Ott's Tabu soundtrack, created in 2012 and released in 2016 on Gizeh (GZH 069CD), also as part of the label's Dark Peak series. One year later, Ott and Böttcher co-composed this new live soundtrack -- again on a Robert Flaherty movie, travelling from the south of Bora Bora to the far north of Nanook. This very acoustic set is deeply linked to the rough life of Nanook and his family. The setlist is mainly balanced between Ott's piano pieces (the main theme "Nanook", "Kayak Fragile", "Lights") and Böttcher's hang lead works ("Family", "Igloos", "Tâches ménagères"). You can feel in the compositions and in their playing the sincerity and the beauty of each gesture of Nanook's daily life. One of the highlights of this live recording is the haunting duet "Première chasse / Walrus hunting", in which Ott's bouncing piano playing is perfectly responding to the groove of Böttcher's hang, in an almost jazz influenced sequence. Ott and Böttcher reworked this creation during 2018 in Strasbourg. This recording is a bit shorter than the stage version, but keeps the movie's frame. And at the end, the last piece "...Et le blizzard" resonates as a magnificent repetitive track in this majestic but relentless North; Nanook died of hunger, two years after the shooting, during a particularly disastrous hunting expedition. Gatefold, recycled card sleeve; includes download code; edition of 175." - Gizeh Records .
  • Sale
  • Regular price $16.00

After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms



Sold Out