-¢‚Ǩ-ìAn exploration of warped, dream-like atmosphere and taught, noise-ingrained electronics, Paper Dollhouse has evolved from the solo work of Astrud Steehouder into an expansive, cinematic project now involving visual artist Nina Bosnic. Recorded with a stronger focus on electronic processes and with a deeper, light-starved aesthetic, Aeonflowers emboldened use of crushed-noise dynamics takes the London-based groups acclaimed 2012 debut, A Box Painted Black, into darker, murkier, and more thrilling territory. Aeonflower is the slow descent of a newly discorporated spirit into a fogged, neon lagoon, a drowned world still lit. If the first album was a box of raw secrets with hints of obscured folk roots, Aeonflower is the endless rain of expression, experience, and change. On this outing, both artists vocals are expressive, forgoing complex lyrical concerns for minimal text invested with emotive power. Opener "Oracle" bleeds into "Stand," with the first of Steehouders haunted vocals, a fragile minimalism augmented by barren guitar. "Helios" sees a drum machine kick and ride cymbal pin down a dark, enveloping vocal duet until "Psyche" obliterates it all with billowing noise, a thrilling shock to the system. The swirling synths and suppressed emotion of "Your Heart" peak in the centerpiece "Diane," a shadowy piece highlighting Steehouders minimalist approach. Side two acts as a mini-suite, with Diamanda Gal-ɬ°s-inspired vocal abstractions and walls of sound coming down with standout ambient track "Black Flowers." Dark and light interplay beautifully on album closer "Siren," a turbulent if ambiguous build-up of harmony and noise. This cassette edition follows a vinyl edition on the Night School label, and coincides with UK press and radio support and a UK tour.-¢‚Ǩ¬ù - Bird.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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