"Brötzmann and Lonberg-Holm sound energetic, charged with a ton of fresh, urgent ideas and eager to comment on each other’s gestures. The dirty, distorted electronics effects and pedals of Lonberg-Holm, often sounding like a battered electric guitar or some out-of-tune industrial machine, with his aggressive cello playing fit perfectly the anguished wailing and shouts of Brötzmann."
