Corbett Vs. Dempsey

PIPELINE - s/t

2013 release. "In 2000, saxophonist Mats Gustafsson and curator John Corbett organized a 16-piece free music big-band, featuring key members of the Chicago and Swedish scenes. The ensemble debuted in Chicago, playing and recording two compositions that had been commissioned, "Codeine Picasso" by Ken Vandermark, and "In This Very Room" by Fredrik Ljungkvist. Soon thereafter, the musicians convened in Sweden for a tour of the country that ended at the legendary Stockholm club Fasching. Gustafsson had intended for the music to be issued on his label Crazy Wisdom, which existed for a short, beautiful moment as an imprint of Swedish Universal. Indeed, the recording of Pipeline was mixed and mastered, but the label pulled the plug on Crazy Wisdom just before the release, and it sat dormant for more than a decade. Listening to it again, the music has all the power and originality it did when it was recorded, at the crest of a wave in Chicagoan creative music history. A panoramic group, Pipeline included the Konitz-inflected sax and clarinet of Guillermo Gregorio, the spiky guitar of David Stackenäs, the percussion thicket of Michael Zerang, Raymond Strid, and Kjell Nordeson, and Jim Bakers unearthly ARP synthesizer sounds, all mixed into an ecstatic, explosive Scanda-Chicagoan spread -- a veritable smörgåsm. Recorded by John McCortney at Airwave Studios, Chicago, on September 26, 2000. Mastered by McCortney and Gustafsson, January 28, 2001; Produced by John Corbett and Mats Gustafsson." - Corbett Vs. Dempsey.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.



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