So, things have gone full circle. Colin Potters first cassette was released in 1980 and here we are around 33 1/3 years later, observing the release of another cassette. The intervening period has seen a number of developments. The ICR label was inaugurated and still continues today, having released over 70 cassettes, records, and CDs. IC Studio was established soon after and has been operated by Potter (almost) continuously since the early 80s, at a number of locations. There, Potter has recorded, mixed, and produced a wide array of projects. He has gained a reputation for innovative mixing and sound processing, working with artists such as Current 93, Fovea Hex, Ora, Organum, Monos, Andrew Chalk, Jonathan Coleclough, Paul Bradley, Darren Tate, and, most notably, with Steven Stapleton on many albums by the renowned Nurse With Wound. Several solo works have been released, as well as many collaborations. For reasons best known to himself, he decided to try his hand at live performance and is astonished to be still allowed to do so. The second side of the cassette is actually a recording of a rehearsal for such an event and is documented, if only to prove that he does in fact actually plan ahead for these things. The first side is an exercise in mathematical repetition patterns, by someone whose counting is somewhat dubious. - The Tapeworm.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.