Psychic Sounds Research & Recordings

PSYCHIC SOUNDS ENSEMBLE - Sonic Fermentations

"The moon is out and it's time for experiments in the Pacific Northwest. Enter the abode of Smegma Laboratories, dwelling of Ju Suk Reet Meate & Oblivia (The Tenses) whom are active in Los Angeles Free Music Society (LAFMS) notable collaborators with Merzbow, Wolf Eyes, John Wiese and infamous rock critic Richard Meltzer. It's late in the evening and they have invited fellow Smegmateer David Morgan along with synthesized sculptors Brenna Murphy & Birch Cooper of MSHR, and psychedelic shape-shifters Corum & Suzanne Stone of Million Brazilians. All have arrived to share conversation in a new potent brew of Sonic Fermentations about to be set into motion. A distant brass vibrates to initiate 'Batch 1' whetting the mug as we gaze through low glow haze of undulating electricity and nervous clatter. We are directly dipped into a volatile vat of saxophone trills, whistling lasers, conch moans, tense string vibrato, rattle snake shake, knife sharpening, gong burst, eastern flute, percussive clang, ratchet stir, guided all by the sway of upright bass to soothe the highly expressive ooze. Now activated, 'Batch 2' is too mutagenic for any container, a deep drank of sci-fi exotica concoction with psychotropic effects churned by a monstrous kalimba, canned laughter, radio broadcast fritz, eerie lap steel, double reed riff, all torched in a broth of stretching electrical beams. Suspense arrives by waiting for these themes to disintegrate and dissolve steering into unrecognizable forms. Once that happens, allure clashes with grotesque, contours between exhilaration and wailing dissolve, and the music becomes a current of unified instinct by this Psychic Sounds Ensemble. Sip it or shoot it, either way will result in stimulating both head and visceral.' - Karen K. Full color Folkways style wrap-around cover. Hand stamped & metallic screen printed insert. Mastered by Timothy Stollenwerk. Limited pressing of 200."" - Psychic Sounds Research & Recordings.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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