Subliminal Sounds

RATLIFF, K.S. AND BLACK MAGIC - Fear of the Night

"Subliminal Sounds present a first time reissue of K.S. Ratliff And Black Magic's Fear Of The Night, originally released in 1982. A rare and unique teenage psych garage private press album. Here's the inside word from the pioneering record collector and front man of New York's Endless Boogie, Paul Major: "The first time I heard this record I had to vigorously punch myself in the face to make sure I wasn't dreaming it up. It's real. K.S. Ratliff comes on like a blast from a lost world, a maverick small town flash from high school kids in some alternate Kentucky utterly isolated from any scene and untainted by even the slightest stink of music biz disease. Real people. This music has the direct and real emotional honesty of Kenneth Higney crossed with the ominous sci-fi atmosphere of Marcus, boiled down to the essentials, merging a psyched-up garage sense of teen discovery with music so uncontrived it naturally delivers hook after hook. Brilliant songs like 'Brainstorms', 'Fear Of The Night', and 'Invasion' are right to the point. No pretense or distance seems to exist between the singer's mind and what is crashing into your ears. The vocals redefine the concept of talent and the no frills fuzz guitar/organ action has an uncanny mysterious quality like something hiding in plain sight. You can dig it straight up but if you turn your mind a little to the left or right you can climb right into another dimension. It's like your seemingly ordinary next door neighbor has been hiding a flying saucer in his basement and you just found out about it. Real people private pressing records come in many flavors but the best ones have some unifying elements. They sound like nothing else even if some of the moves they make convey a bent sense of the familiar. They emerged from a nurturing isolation and remained unknown until the right ears stumbled across a copy. The person and the music are inseparable, fortifying each other into a zone where ordinary musical standards become irrelevant as an indicator of quality. In 2018 the once constant flow of unique and important vintage discoveries has slowed to a trickle. K.S. Ratliff and Black Magic is an extra tasty killer that I file in the 'I can't believe a record like this actually exists' section." Edition of 500." - Subliminal Sounds.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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