Kraak

RAZEN - Ayik Adhista, Adhista Ayik

"Razen celebrate their ten-year anniversary with Ayîk Adhîsta Adhîsta Ayîk, an album that takes a paragraph from CG Jung's Memories, Dreams, Reflections as a reference point to set off a journey that goes from light to dark, from day to night, from life to death, and back. As much a reflection of primal imagery and rituals of knowledge as a way of coming to terms with anxieties about the chaos of the night, the album concerns itself with the question: who -- or what -- are we in the moments before (re-)birth, before waking up, in the state in between darkness and light. On Ayîk Adhîsta Adhîsta Ayîk, the wind instruments and organ stabs of band leaders Kim Delcour and Brecht Ameel are expanded with Pieter Lenaerts' five string double bass and sarangi, Jean-Philippe Poncin's bass clarinet and chalumeau, and Paul Garriau's hurdy gurdy. The album sees the group explore new straight-to-the-gut emotional territory, while simultaneously showcasing Razen's intuitive, continuous investigation of the acoustic properties and resonant possibilities of churches and chapels in the countryside around Brussels; after Remote Hologram (2014) and The Xvoto Reels (2017), this time the St Agatha Church (St.-Agatha-Berchem) functions as the conduit for Razen's acoustic sound jolts. With the past ten years entirely devoted to the search for archetypical timbres and connotations by improvising on early music instruments, it's no wonder that the world of Razen would one day collide with the world of CG Jung and take his writing as an inspiration. A sonic hex tour de force from this unique ensemble, Ayîk Adhîsta Adhîsta Ayîk is a present-day, nocturnal emitter of the Coleridge quote that opens Jung's Memories: "He looked at his own soul with a Telescope. What seemed all irregular he saw and shewed to be beautiful Constellations and he added to the Consciousness hidden worlds within worlds." Includes download code." - Kraak .
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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