Bureau B

REV, MARTIN - Strangeworld

"A strange world Martin Rev's fifth solo album -- Strangeworld -- was released on the cusp of the new millennium. The label responsible was Puu, a Finnish imprint belonging to Tommi Grönlund and Mika Vainio's Sähkö Recordings which came to fame in the 1990s on the strength of its uncompromising minimalist sound. Four years earlier, in 1996, Rev had unleashed See Me Ridin', an album which surprised its listeners with keyboard melody sketches and distilled doo-wop compositions. It was also the first solo album to feature Martin Rev on vocals. Strangeworld started where its predecessor left off. Melodic passages dissolved into a thicket of fragments and set pieces, coalescing in a celestial shimmer between rhythm loops and Rev's voice, which assumed the role of an additional instrument rather than a standard singing part. Martin Rev's familiar murmurs and hums are there, but the music on Strangeworld no longer feeds on the furious rumbling of the electrified city. Instead we hear wonderfully naive singing, lost in reverie, Martin Rev's condensed teenage memories of days when young hearts were breaking to the sound of doo-wop melodies on the transistor radio. There are still flashes of contemporary music and traces of dance elements, but Rev maintains these entered his musical spectrum subconsciously: 'Techno wasn't specifically on my mind while recording but for sure it was already part of the musical environment at that time so easily may have become added to some of the nuances that were revealing themselves in the album's process.' Rev took charge of the album production himself in his home city of New York: 'Strangeworld was mostly produced at a private studio that I booked as much as couple of days a week. It was the beginning of engineers setting up rental studios even in their homes since digital, then in the form of ADAT, and early computerization had suddenly made it possible.' If Säkhö seems an unlikely partner to release the record, there is, on closer examination, a certain congruity between Rev's work and the radical minimalism of the Finnish label's sound . . . Twenty years have passed since Strangeworld was first released, but the world it revealed remains as strange and enigmatic as ever." --Daniel Jahn, May 2020" - Bureau B .
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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