Penny Rimbaud is a poet, drummer, writer, former member of the performance art group EXIT and co-founder of the anarchist punk band Crass, with Steve Ignorant in 1977. \r\nHe also set up the anarchist/pacifist Dial House community in 1967 with Gee Vaucher and Phil Russell and helped to instigate the free festival movement. \r\nAn ardent, articulate and still angry polemicist, his works include Reality Asylum, Rocky Eyed and Oh America. Says Rimbaud of his own legacy: our response to things wasnt a musician or a lyrical response, it was a political response."\r\nLouise Elliott an Australian tenor saxophonist and has performed with a wealth of international musicians. Originally known for her appearances with cult rock outfits Laughing Clowns, The Saints, Ed Kuepper and Paul Kelly, Louise has a fiery commitment to inspiring and energetic live performance which has been referred to in the media as "her profoundly diverse smorgasbord of funk, blues and rock" and "an African inspired jazz explosion". She has played with Penny Rimbaud for 9 years." - Seomra Spraoi.\r\n
\r\n"A 7" record of a new piece of poetry and music by poet and Crass co-founder Penny Rimbaud and Louise Elliott, with cover art by Gee Vaucher.\r\nPublished jointly by Boo-Hooray and Exitstencil Press in an edition of 500 copies." - Boo-Hooray.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.