Double 10" version. "Alasdair Roberts has worked with Drag City Records for some 20 years, releasing more than ten records featuring both interpretations of traditional songs and his own songwriting. He has played with Will Oldham, Jason Molina, and many others, and is now part of The Furrow Collective. In addition to being a fine fiddler in the Scottish traditional style, Neil McDermott is currently researching the musical and political engagement of the 1960s Scottish folk scene with the anti-nuclear movement. Tartine de Clous (Geoffroy Dudouit, Thomas Georget, and Guillaume Maupin) is a singing trio originally from the department of Charente in western France. Following in the footsteps of some of the great French groups of the late 20th century folk revival (such as Mélusine and La Bamboche), they sing largely unaccompanied three-part harmony arrangements of the traditional songs of France... and Scotland! In early 2016, Alasdair Roberts spoke of his admiration for Tartine de Clous' first LP, Sans Folklore (2015), in an article in English folk magazine, fRoots. After a first musical encounter in Glasgow in January 2017, alongside local fiddler Neil McDermott, the five of them reunited in December 2017. They explored a common set of songs, French, Scottish, and Roberts originals, and recorded them live, with an audience, at the Cube Microplex, an amazing arts venue and progressive social wellbeing enterprise in central Bristol. Recorded live by Neil McDermott at Cube Cinema, Bristol on December 8th and 9th 2017; "Rosie Anderson" recorded at the Old Dentist, London. Artwork by Gwénola Carrère (Brussels). Mastered by Sam Smith, SJS Mastering, Glasgow." - Okraina.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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