"Formed in 1981 in Tokyo, Saboten must now be considered one of the great lost post-punk bands. Rejecting the traditional rock group hierarchy of lead guitar and/or preening vocalist supported by a rhythm section, Saboten were true masters of band-as-unit, with the trio meshing and melding in a non-grandstanding manner that wonderfully emphasizes their individual contributions to the group sound. One of the original impulses that led to the formation of the group was a desire to hear the results of an electric rock combo playing Erik Satie, and the French composers sense of whimsy and feeling of openness are well-represented. There are even a number of Satie covers" here, but far from being pastel homage, they are imaginative reconstructions, aided by the lateLol Coxhill on several pieces. The band, despite the Satie influence, are most definitely a rock unit of the post-punk variety, masters of a tight, brittle funk and a supple sense of propulsion and interlocking instrumentation that will appeal to fans of groups likeThe Slits, The Raincoats and even ESG, but with a unique element that is all their own. FLOOR et SATiE is available on vinyl only, and provides an excellent overview of an excellent band. Disc one is a newly re-mastered version of their first album, Saboten, which was originally produced by the late great Eiichi Tsutaki of Totsuzen Danball and issued as the first release of Tsutakis own label Floor Records in 1982. Disc two ranges from the charmingly lo-fi Satie pieces, to some selections from a D.I.Y. self-released 7", two songs from their second album Awake, and a piece produced by Fred Frith. Saboten means "cactus" and, like their namesake, they are spiky and yet oddly beautiful." - EM

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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