Whether you know it or not, Shark Toys are one of the best bands in LA... and they have been for quite some time. I think the Urinals would agree and now they can finally call them labelmates. Their first single came out back in 2009, but Labyrinths is a far more developed record than that or any of their subsequent releases. Gone are most of Danny Clodfelters former band members, but not because of some Mark E. Smith-type drama. The turnover is more likely due to nearly a decade passing and life happening. That said, this current line-up is by far the strongest. Drummer Emanuel Farias and bass-man Bill Gray (formerly of The Mae Shi, Mans Assassination Man, and a million other Smell bands) are one of the tightest rhythm sections in 21st century post-punk. They allow Clodfelter to do what he does best: thrash and wail all over his Fender six string. His angular guitar attack is well informed (by thousands of obscure punk and post-punk records) and executed (albeit after no more or less than three beers) and Gray and Farias hold it down so effectively, one might make the incorrect assumption that theyre playing sober. This album at times reminds one of Weirdo Rippers-era No Age on Tyvek uppers. Theres an occasional sax skronk, piano plink-plunk, and the spare synth squiggle here and there, but more often than not its a batch of four-on-the-floor pogo-friendly numbers that will have even the most jaded message board lurkers rethinking what the Los Angeles underground has to offer. Shark Toys are proof-positive that the local scene is a hell of a lot deeper than the LA River. - Lance Barresi / Permanent Records.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.