SHEA, DAVID - The Thousand Buddha Caves

"David Shea's The Thousand Buddha Caves explores his deep and continuous interest in the nexus of eastern and western musical forms. The recording charts his life-long fascination with the caves and their connection to sound, ritual and Buddhist teachings. The record transposes those interests and is an evocation to the mythologies spinning forth from the caves. A note from David: "My path to the caves began when I was about 14, with my passion for reading Taoist, Buddhist and Zen texts, my love of Hong Kong films, Bruce Lee's influence, martial arts more broadly and meditation practice which has continued since that time. In 1980 the series of films The Silk Road produced as a collaboration between NHK television in Japan and CCTV in China explored areas of the 'Silk Road' in great detail and knocked me sideways. It laid the foundation for a life of exploring what these trading routes were and what the reality of the people living along it, travelers on it and the culture, music, art, history and rituals they created. My works Hsi -Yu Chi, The Tower of Mirrors, Satyricon and Rituals were all recordings based on adaptations of the myths, historical adaptations and connections to the many trading routes throughout the ancient world and its connection and relevance to current technological culture, through the process of building a new work on the structure of an existing novel, film adaptations or sets of ritual practices. The more I explored the specific history of the trading route from ancient Xian to Rome, the clearer it became that the Silk Road itself was a myth, a simplified 19th century explanation for a vast and very complex network of information, religious teachings, economic trade, spices and silks etc. that involved thousands of tribes, nation states, indigenous cultures, belief systems and spanned what only much later historically do we now speak of as the divide between east and west. The mountain of archaeological finds and research over the last two centuries is just beginning to be unraveled and the complexity of the purposes of the trade routes is exposing many new connections between the ancient realities of Africa, Asia, India, Europe and the Pacific region. The trading was contact and interest in difference, what does your culture have that we need, an economy of difference with less need to synthesize the traditions than to find practical connections to the value each culture may or may not have for another culture..." - Room40 .
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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