SINGER, CLAIRE M - Trian: Recent Works

A double-LP vinyl version of Claire M Singer's previous two CDs: Solas excluding the piece The Molendinar" (TO 101CD, 2016) and Fairge (TONE 059CD, 2017). Gatefold sleeve. Sides 1, 2, and 3: Solas. Solas ("Light" in Gaelic) is Claire M Singer's debut album, spanning 14 years of her work in acoustic and electronic composition. In recent years she has focused on writing and performing a mix of organ, cello, and electronics with regular performances at Union Chapel, where, as Music Director, she runs a diverse program of concerts and educational workshops around the chapel's organ, which was built by Henry Willis in 1877. Solas comprises seven works for various combinations of organ, cello, and electronics, including "Eilean," which is an electronic work derived from recordings of cello, piano, and violin. "Solas" and "Wrangham" were recorded by Iain Berryman at Union Chapel, London, February 26-27th, 2016 on the organ built by Henry Willis in 1877 Mixed at Bennachie Studios, Aberdeen and EMS Goldsmiths, London. Violin extracts on "Eilean" from Land of the Standing Stones composed and performed by Paul Anderson. "Eilean" was commissioned by Aberdeenshire Council. Side 4: Fairge. Fairge, meaning "the ocean" or "the sea" in Scottish Gaelic, is a single 21-minute piece for organ, cello, and electronics, composed, performed and produced by Singer. It is very much a companion work to the title track on her debut album Solas. Commissioned by Amsterdam's oldest building and parish church Oude Kerk, Fairge premiered at the church in February 2017. Claire M Singer's performance on the Ahrend and Bunzema organ, cello, and electronics is truly captivating. The work very much encapsulates her signature style of expansive soundscapes full of intricate textures, rich overtones, and powerful swells, emotionally resonating from beginning to end. Recorded by Clare Gallagher at Oude Kerk, Amsterdam, June 12th, 2017 on the transept organ built by Ahrend & Brunzema (1965)." - Touch.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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