A recording of solo acoustic guitar and alpine zither songs, this release will delight those familiar with his early Riverboat and ESP Disc recordings as well as the audience for experimental solo guitar -- while creating an audience for experimental solo alpine zither! On this release, Alan performs on the 1927 martin tenor guitar, 19th century parlour guitar, 1920s prime alpine zither and 1860s elegie alpine zither. Dan Wharburton of Paris Transatlantic said of the reissue of The Songs: an endearingly ramshackle melting pot of free jazz, blues and folk (if Eugene Chadbourne later described his work as free improvised country & western bebop then this is free improvised Hawaiian flamenco gospel blues music theatre). Its influence resonates (indirectly, one imagines, unless there are more copies of the original vinyl in circulation than I imagine) in the free folk of todays New Weird America scene. Now listeners have the opportunity to hear for themselves the present day song form manifestations of this overlooked creative master. - Fire Museum.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.