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Wierd Records is proud to present the new LP by Staccato du Mal, entitled Sin Destino. Freezing out the heat-seeking Miami scene with his cold minimal synth for the past decade, Ramiro Jeancarlo (1/2 of the industrial outfit Opus Finis) offers up ten tracks of analogue darkness.Sung in both English and Spanish, the forthcoming album is informed by Jeancarlos half Chilean, half Venezuelan background. Pervasive throughout the LP is an aura of dread and claustrophobia that without a doubt evokes the hot, dry, lonely landscape of suburban South Florida. But beyond the dismal swamplands, its possible to detect the mournful ambiance of cultures plagued for centuries by colonization, civil war and political turmoil. Whether Jeancarlo means to offer Salvation Through Suffering" as an alternative to everything from Catholicism to revolutions-turned-tyrannies is not explicit, but the distinctive mood of dread conjures something more monolithic than plain nihilism. Therein lies the fascinating duality: "Lost Image" could as easily land in a soundtrack to a film about a lonesome teen in desolate suburbia as it could a film about Pinochets Caravan of Death.Despite the disorienting feeling of so much of the album, Staccatos own coup détat comes in the moments of resolution where warm melodies and nearly psychedelic soundscapes counter the bleakness. On -¢‚Ǩ-ìDesespero,-¢‚Ǩ¬ù Jeancarlos pleas to -¢‚Ǩ-ìlet me in, I want in-¢‚Ǩ¬ù are frighteningly forward but made inviting against a danceable and very accessible synthpop background. The instrumental -¢‚Ǩ-ìEn Sue-ɬ±os-¢‚Ǩ¬ù has a sweetly bright melody atop sinister beats that plumb the depths, while the synthesizers in -¢‚Ǩ-ìHappy Endings-¢‚Ǩ¬ù happily climb into major dimensions as the signature darkness shines through. While this album could be described as Wierd Records least commercial release so far, Staccato du Mals music is rich with sonic feeling that makes for infinitely rewarding listening. Working within the confines of the minimal synth genre, Jeancarlo manages to include elements of pop, noise, and industrial that slink to the surface with each eerie listen." - Wierd.

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