Rockadrome

STEPSON - The Lost Tapes 1972-1974

About forty years in the making, and finally the world has the second Stepson album. Utilizing tapes preserved by drummer Len Fagan then transferred to digital and mastered by bassist Bruce Hauser, this fine collection of twelve songs is as close as the world will ever get to a real second Stepson album. Some is raw, some is embryonic, but its all prime stuff for fans to savor, reflecting the bands devil may care attitude and rock n roll lifestyle. And just in case you dont believe that the band liked to party, consider that the exact recording dates (and even some locations) have long been forgotten. To borrow an old adage: If you can remember Stepson, you werent there. Kicking off with a crunching riff by guitarist Joey Newman, Danger Zone is the heaviest track Stepson ever cut, replete with an ominous atmosphere reflecting the seedy side of their native Los Angeles; Streets of Alameda (1974) is an ode to vocalist Jeff Hawks hometown, featuring a liquor store holdup and a stolen Lincoln used as the getaway car. Flesh & Blood is the only track on here that got an official release, albeit by ex-Smith belter Gayle McCormick as the title track to her second solo album, released by Decca in 1972. This version showcases the riff in full glory. And if you dont believe that this riff is strong, consider that The Tonight Show band played it for approximately two weeks in 1976, prompting Fagan to confront author Don Menza, who coincidentally did the Flesh & Blood albums horn charts and was now claiming credit for the song under the title Instant Heart. The song disappeared from late night TV show shortly thereafter. Bad Situation, the only other 1974 track, describes the bands predicament that year: a track that should have propelled them to the big time, but instead bounced off a brick wall like a tennis ball. The maracas and funkified quasi-Bo Diddley groove hint at Stepsons growth and what might have been. -Rockadrome.

  • Sale
  • Regular price $24.00


After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms