"Strafe Für Rebellion, or Strafe F.R., is a long-term collaboration between the artists Bernd Kastner and Siegfried M. Syniuga, which started in 1979. This release follows 2018's The Bird Was Stolen and sees them reemerge after a long period of hibernation. There are four tracks, four different windows to look out from our studio in Düsseldorf into the street and their different layers of sound. Four horizons, four spy holes in the door, four eyes, four shopping windows. Four landscapes. Witness the electric city and the power house. Strafe F.R. is sitting inside the fuse box. The electric chirp of the night. The socket in which we sleep. The dog comes, in order to devour Strafe F.R. First, he eats the rebellion and next he bites the Strafe. The house and the body, both are earthed and the veins are vibrating. Between the third and the fourth hour of the morning we enter the realm of insomnia. You fly by not using an airplane. An old woman is cleaning the door bells with her own spittle. The old man is distilling schnapps in his back garden. The swimmers are gliding through the day on top of a greasy film. The reception is a flare into seconds until it fades away into noise again. The kettle drum gives the rhythm of breathing, the bass determines the time. You stumble forward, forward into the next day. From our window we see a public building where there exists a toilet, its porcelain shows the most beautiful craquelé fissures. There is an historic poster of Lenin. It is fixed on a garden fence in the landscape and the stinging nettles grow over it softly swinging in the wind. There are shadows but there is also brightness, this means there are complementary colors and contrasts, movements, and reflection until there is stillness. We see the back-breeding of cattle in the Neanderthal age and at the same time we look into the large heating room of an art museum, where we observe tubes and their upstream pressure regulators." - Touch .
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.