Cherry Red

TEENAGE JESUS & THE JERKS - Shut Up and Bleed

The seminal no-wave band Teenage and Jesus and The Jerks were lead by primal screamer and guitarist Lydia Lunch, an individual who has fought her artistic way through the decades, always true to her own vision and always brutally honest. In early 1978, artist and producer Brian Eno attended a series of shows put on to benefit the Artists Space in Soho and influenced Island Records to finance an anthology LP featuring the four strongest bands -- Teenage Jesus and the Jerks, The Contortions, Mars and DNA. The resulting recording, entitled No New York and produced by Eno, remains as one of the most impressive and extraordinarily bold debuts of the time. Here we compiled all Teenage Jesus and The Jerks recordings, alongside some NEVER previously released live material. Simultaneous to Teenage Jesus, Lunch formed Beirut Slump, released one single and recorded an albums worth of material, which is also included on this remarkable release. - Cherry Red

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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