V/A - Musique Concrète: Groupe de Recherches Musicales de la RTF

"Reissue of 1960 BAM label release. Musique Concrète represents an important milestone in the development and progression of the genre of the same name. It marks a crossroad for the genre and its originator, Pierre Schaeffer and another of the genres most important protagonists, Pierre Henry. In 1942, Schaeffer and Jacques Copeau founded the Studio dEssai (renamed Club dEssai in 1946) as part of Radiodiffusion Française studios in order to experiment with radiophonic techniques. In 1948, Schaeffer occupied his time with the manner in which sound recordings "revealed what was hidden in the act of basic acoustic listening". This resulted in a series of studies known as Cinq études de bruits (Five Studies of Noises) (1948). With word of his theories and experiments spreading, Schaeffers studies grew in size and he would need assistance. Pierre Henry was an obvious choice and sound engineer, Jacques Poullin, completed the sonic powerhouse. The group was renamed the Groupe de Musique Concrete. In 1951, RTF gave the trio access to one of the earliest purpose-build electroacoustic studios, furnishing it with state of the art equipment such as a morphophone and a phonogene, both designed by Poullin. The studio attracted composers such as Karlheinz Stockhausen and Edgard Varèse and in that same year Schaeffer and Henry produced and premiered the first opera concrète, "Orphèe 51". Pierre Henry began pursuing projects closer to his own heart, working with experimental filmmakers and choreographers like Maurice Béjart. In 1957, following a particularly prolonged absence on RTF duties, Schaeffer returned unhappy with the direction the group had taken and tabled an idea to revitalize both their approach as well as personnel. As a result, Henry and several other key members soon left. Schaeffer lay the foundations in 1958 for a new collective called Groupe de Recherches Musicales recruiting new members Iannis Xenakis, Henri Sauguet, Luc Ferrari and Michel Philippot as well as ushering in a new steady stream of musicians eager to study, including a young Jean Michel Jarre. Featuring the full versions of these seminal early works (abridged versions of which had previously appeared across two 7" singles on Disques BAM) the recordings presented here are the first fruits of this new alliance and served to lay the bedrock for the future of the Groupe de Recherches Musicales which would later count the likes of Ivo Malec, Philippe Carson, Romuald Vandelle, Edgardo Canton and François Bayle." - Cacophonic.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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