1990 release. "Lois V Vierk creates music with a distinctiveness that flows from a mixture of the intense analytical disciplines of her composition teacher Leonard Stein, and the gentle admonitions of her Japanese Court Music teacher Suenobu Togi to "just do it." The influences of Vierk's long study of Gagaku (the Imperial Court Music of Japan) do not show on the surface. Rather they are heard in knowing that what has happened and what will happen are part of a sure path toward fulfillment. Gagaku unfolds with ceremonious slowness. Time seems to be suspended before the taiko drum sounds its next musical heartbeat. But the drum does sound, and when it does, it divides the music that has just passed and that which is to follow, all part of an elegant musical order. The elegance and order of Vierk's music, like Gagaku, touch the heart of the person who listens, who takes time, who is open. On Simoom we hear three of Vierk's works for "big instruments," that is, multiples of the same instrument, treated more like single entities than like groups of voices: "Go Guitars" for five electric guitars tuned microtonally around "E," "Cirrus" for six trumpets, and "Simoom" for eight cellos. All three works employ what Vierk describes as "Exponential Structure," which utilizes exponential relationships to control time, pitch movement and rates of change. Within this system, Vierk creates very directional compositions possessing high energy. As in Gagaku, they unfold slowly. Although clearly building on the work of minimalist composers, Vierk's music is much more concerned with constant development and climax. This disc offers virtuoso performances by David Seidel, electric guitar; Gary Trosclair, trumpet; and Theodore Mook, cello." - XI Records.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.