VIVIANKRIST - Cross Modulation

"Japanese crust punk and grindcore icon Eri Fuzz-Kristiansen, aka Gallhammer's Viviankrist, keeps the curveballs coming on Diagonal with a bloodied mastication of charred noise and rhythmic electronics, following up the label's acclaimed sides by Sote(DIAG 054LP) and Not Waving/Jim O'Rourke(DIAG 049EP). Co-released with the metal-minded Ritual Productions label, Cross Modulation is a brutal testament to the acridly personalized sound that Viviankrist has explored solo since 1995 in Tokyo, when she performing vocals, sax and SP-202 sampler in her first industrial/noise unit. 23 years later her music is still sorely raw, yet riddled with a new found poignance and atmospheric unease that places her music sometimes as close to Kali Malone's see-sawing dissonance as the power electronics of Pan Sonic or the possessed pulses of Conrad Schnitzlerand Merzbow. Since the demise of Eri's main project Gallhammer at the start of this decade, when she moved from Tokyo to Oslo (home of her husband and bandmate in Sehnsucht, Maniac -- also former vocalist for BM legends Mayhem), she returned to her early Viviankrist alias from 2017 as a place to express her primitivist-futurist urges, resulting a trio of CDs including the vicious solo strike of Morgenrødefor Cold Spring Records (CSR 268CD). Now on Cross Modulation she intuitively tempers that album's phosphorous burn with a deadly incisive application of what black metal/techno pioneer Black Mecha terms "mentation electronics". Alloying avant-metal with rhythmic noise, ambient techno and mind-bending drone to a metallurgic tang, Cross Modulation serves a dense flux of energies in seven parts, piercing a path thru maelstrom electronics in "Eleventh" to churn up grizzled Vainio-esque rhythms in "Blue Iron", while the tenderly bruised ambience of "Midnight Sun" provides a bittersweet palette cleanser for the tart technoid prang of "Insects", a bout of slow gripping psychedelia in "Out Of Body", and the rugged North European pastoralism of "Behind Mirror"." - Diagonal.
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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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