Firework Editions

VON HAUSSWOLFF, C.M. - A Lecture on Disturbances in Architecture

R. Buckminster Fullers voice on track one sampled from The Critical Path - Spirit of Health, recorded October 1982 in Maui, Hawaii (Dolphin Tapes, Big Sur, California). Track two is taken from the exhibition Red Code (CCA, Kitakyushu, 2001) and was recorded by Scott Olson and myself. A version of track four was also used in the exhibition 3D+ (Bruxelles, Berlin, Dublin etc., 2001 - 2002). Track seven is an earlier version of a designed sound used in Jesus-C-Odd-Size, a play by Hotel ProForma, Malm-جø¬-??, 2000. A shorter version was also released on the CD Because Tomorrow Comes #4 (btc, K-جø¬-??ln, 2001). Cover photograph from Red Code (CCA, Kitakyushu 2001) and from Hashima. Back cover photo from Red Code. All photographs by CM von Hausswolff. Special acknowledgements go to Akiko Miyake, Nobuo Nakamura, Scott Olson, Josefine Eriksson, Raytheon Fishfinder, Ericsson, Kirsten Dehlholm, Kyra Stratmann and the Esalen Institute. This record is dedicated to Marietta von Baumgarten All titles composed by C.M. von Hausswolff. Recorded between 1997 - 2002 and edited at the New Old Studio, Stockholm, 2002. All titles published by Touch Music, London. - Firework Editions.

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After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
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