WATERS, CHARLES QUARTET - Chroma Colossus: 13 Visions of the City

"The new album from Charles Waters Quartet entitled Chroma Colossus: 13 Visions of the City marks an important new contribution to the modern jazz tradition. Among other reevaluations of New York that occurred in the aftermath of 9-11 and Hurricane Sandy, Chroma Colossus: 13 Visions of the City presents an important imagining of our relation to the space, sound, energy and resilience of New York. Beyond Waters, the quartet consists of Andrew Barker (drums), Chris McIntyre (trombone) and George Rush (Bass/Tuba). The album's song cycle is based on a text by Brooklyn-based author and MacArthur Fellow Colson Whitehead, who reads a passage from his book The Colossus of Brooklyn on the song "Brooklyn Bridge". Composer Charles Waters was born and raised in North Carolina, but first emerged as an artist in the mid-1990's in Atlanta as part of the Gold Sparkle Band. After moving to New York City in 1998, he became active in the Downtown music scene, composing for and playing saxophone and clarinet with The Gold Sparkle Band and Acid Birds. Waters has been featured on over fifty recordings and has released full-length releases for labels such as Squealer, Blackest Rainbow, Third Eye and QBICO. " - Amish.

  • Sale
  • Regular price $20.00

After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.

This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).

Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.

Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.

Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).

So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
I understand these terms



Sold Out