Always Wrong is a mantra of severity. Wolf Eyes has been scouring audiences across the globe with their acid drenched industrial noise and dub terror psychedelia, establishing themselves as the trailblazers of a genre and pioneers of the long-form noise tour. coming forth from the piles of tape loops and effects the bulk of tables reeling with electronics have been shed. This clarity never sacrifices intensity as paradoxically this is the most organic of the full lengths but also the harshest and most dissonant. Opening track -¢??Cellar-¢?¬ù immediately sets the pace of barraged edits and percussive electronics as startling vocals spit from the dry throat and remain unfiltered for the first time breathing a clear litany of scorn. a new voice is rising and it isnt happy. throughout the album non-electronic beats created from live drums replace programming while colliding tape loops and junk metal bring new unstable rhythm like a house with erroding foundation. -¢??Living Stone-¢?¬ù shows a more natural state of acoustic composition highlighting the despondent subtle plucking of controlled guitar improvisation that could come from natures ghost. forging ahead in -¢??We All Hate You-¢?¬ù loud tonal horns and architectuarly placed electronics. however their aesthetic core of pummeling hasnt been abandoned as the aggressive -¢??Broken Order-¢?¬ù takes hold with shrill feedback fueling industrial cannon blasts of white hot noise that burn the body from the neck down. an eerie harmonica driven death march straight out of once upon a time in the west" cries on the closing track droll/cut the dog Immediately it is clear that Wolf Eyes have crafted a statement with maturity that stands at the top of their mysterious discography. Always Wrong is a denial against conformity and the triumph of walking a path alone. Young, Olson, Connelly." -Hospital
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.